CHANTEUSE IN SNEAKERS
From that first jam session, I was
the little girl singing with old dudes
They told me I “brought it”
Caught ‘em by the spiritual heel
Held ‘em with my feeling, healing
No drab days after that debut
Wandering out the back forty
serenading the birds who
sang back like they were answering
Daydreamed through school
Lyrics in mind (not math)
Pondering styles on mental stylus
Teacher would call on me
I’d pulsate from embarrassment
No clue as to question or even subject
Kids laughed and teachers scolded me
about my silly sidetrackedness
But I’d have luxurious revenge
Within two years, the best songs
ingrained in my brain, a tendril of
inspiration connecting song to singer
At the jam, I shocked even my siren mom
when I sang “Embraceable You,”
a pint-sized vixen, meaning every word
Caught glances of awestruck audience
I watched their reserve melt away
Drawn into my world, surreal, transfixed
They left reality behind, escaped the moment
of “I’m guzzling a martini” to float into
a haven of heaven, losing themselves
I was seven years old
when I realized I had the ability
to eat other people’s shadows
© 2013 Amy Barlow Liberatore/Sharp Little Pencil
For Imaginary Garden With Real Toads, the final stanza is the first line of a poem by Hamilton Cork; we were given several lines from which to create a poem. Thank, Izy, for a great prompt. Read all poems and a bio of Hamilton Cork HERE.
Also for ABC Wednesday (C) and Three Word Wednesday (drab, pulsate, tendril).
Click on link to play. Amy on keys and vocals, Riley on drumset, Rob on tenor sax. Photo by Donna Dajnowski, used by permission of photographer.
FAMILY AFFAIR
Mother and daughter
Keyboardist and drummer
Our yearbooks diverged:
Mine said, “You are so weird,”
and her entries were all about
her coming out and being cool.
Years ago, the dissolution of
the marriage of her parents
put Riley in a tricky spot.
Years later, rarity of rarities:
Her dad, a great saxophonist,
joined us on a session.
Vintage jazz cut with
a medium beat, but
vintage Amy to the core.
We all felt vibes surfacing.
Felt the delirium of healing.
Created a legacy of friendship.
Sessions are not just for
the psychologist’s office.
Jams are not only spread
on whole wheat toasty bread.
Jazz has that knack of pushing back
what’s in the way; music, here to stay.
© 2013 Amy Barlow Liberatore/Sharp Little Pencil
For Jasmine Calyx, who printed an amazing list of words, including some of the above: Songwriter, surfacing, yearbook, drummer, keyboardist, rarities, delirium, legacy, dissolution, and vintage. She has a knack for highlighting the blogs of other poets… a truly selfless blogger. I dig her style – check her out! Also for Wonder Wednesday at Poets United (proud to be a member!), asking for poems about wonders of the world. I think that two exes and their daughter performing in one space, making great jazz, is a WONDER!
Riley, Rob Weinberger, and I did record this piece in a Binghamton, NY studio. Rob’s wonderful wife, Donna Dajnowski, took some pix. Lex was stuck upstate, but he thought it was a great idea. The cut needs some editing, but you get the idea. Peace, Amy
UNSUNG HEROES IN MY INKWELL
My ubiquitous inkwell, home of
fluid blue poems-yet-to-be
Out pops an indigo sprite who
scribbles sillies and twizzles about
the ‘California daze’ or who’ll
juke-jive to the jazz
Sometimes a slate drudgeluckless
slithers over the side of the inkwell
seeps to the page
smears thoughts of illness and
acidic, acrid, lucid memories
There’s a crotchety navy man
who marches out, ten-huts at paper’s edge
and vigilantly decries the evils of war
He’s a vet of many battles and says
victory has neither a smell nor a hint of glory
My favorite inkwell denizen is
the periwinkle fairy who dusts the page
with a harvest heart and loving words
Who inspires hope with ageless
meditations on love
© 2012 Amy Barlow Liberatore/Sharp Little Pencil
For Three Word Wednesday (Battle, sumptous, harvest – what a combination of words!), and for ABC Wednesday, brought to you by the letter U. Hope I post this in time…
And to tell the truth, I do have an inkwell on my desk for inspiration, but I write with my trusty Ticonderoga #2 pencil. Peace, Amy
Incantations in Jazz
Back in The Day
jam sessions were serious affairs
Jazz hinged on trust, ears, collaboration, and rotgut
Cat would stay
Play for no pay
‘Til break of day
Strayhorn charts in clouds of smoke or
off-the-top-of -your head bebop
Slammin duels or cozy duets
Soubrettes mimicked Ella, got laid
Torchettes dug deeper, got respect
Getz and Jobim brought bossa to the scene
Miles straight up in any incantation
Trane proclaiming A Love Supreme
but his lover was the needle, the ride
Recording sessions went straight to vinyl
Benny, Lionel, Slam – his high-pitched, mellow voice
doubling his bass lines, so fine, class, no sass
Basie showed Sinatra how to swing
(before the “ring-a-ding-ding”)
All live, driving, vibrant, vital
Women with ample curves strung like pearls
Billie moaning, Ella owning the scat, Bessie howling
Flat-out fine, no whine about the need for pay
Getting laid, getting high, getting by
by the grace of jazz, flowing like honey or
slappin you upside the head like a pissed-off date
He’d make love to her later
after the session cooled off, horns packed up.
Then everyone got down to real business
© 2012 Amy Barlow Liberatore/Sharp Little Pencil
For ABC Wednesday, brought to you by the letter “I”; Three Word Wednesday (Need, Hinge, Lethal); the open call at Real Toads, AND Trifecta’s word, “Ample.” Also at the place where I’m always jammin, Poets United.
This is the soil from which I spring. Call it a dangerous environment for a young girl, but I was right at home with the old cats, the ones who gave Art Tatum driving lessons (he was blind)… the ones who ruined their voices on bathtub gin and took up the drums to keep bread on the table. Imagine my luck, a little white girl who could sing blues, accepted by musicians of all colors and lifestyles! Peace, Amy
Corner Shelf Onstage
Young: First round on me
Stay ‘til last call
Partied hard,
some success
Now: Wiser,
ready for rowdiness, revolution
Dichotomy:
Shy, depressed or
Manic, obsessed with
peace, poetry, politics,
my past
And always singing…
© 2012 Amy Barlow Liberatore/Sharp Little Pencil
For the whimsically titled Imaginary Garden with Real Toads, the challenge was to write a poem about yourself in 35 words or less. Peace, and please do come to the Garden – you’ll meet interesting poets and photographers and other artists!
I Got It Bad (And That Ain’t Good) (click on link to hear the song)
Amy Barlow (vocals) and Stuart Watarz (piano)
Music by Duke Ellington; lyrics by Ned Washington (used by permission of their estates)
SINGING STANDARDS
Those well-known, well-worn songs
of Ellington, Gershwin, Mercer
My primer, my guide from childhood
I wanted to make them my own so
I read the lyrics poetically first
before I sang them; I grew them inside
myself, within the deep chambers
of mystery, of smoky romance
and infectious delight
I never sang a song
the same way twice, but
I tried to get it right
Not trite, this advice to
younger singers: Read the song
first, listen to the lyricist
Don’t imitate, it grates
and you will sound over-rehearsed
and you will be dismissed as a poser
Don’t listen to Ella. Ever.
She embeds in your head and
will be artist-in-residence
Sing it. From the sole of your shoes,
from the fire in your heart,
from the orgasmic desire
Though the song was written
before you were born,
know in your heart that
there’s your version waiting
to be sung from your POV
Blow your horn, baby
and give out like there’s
no turning back,
no way out
cuz there isn’t. Once you’re
lost yourself in a classic…
you’re where you need to be
© 2012 Amy Barlow Liberatore/Sharp Little Pencil
For dverse Open Mic Night. “Standards” are the jazz tunes every good musician and singer knows before accepting a gig. As Time Goes By, Fly Me To The Moon, Embraceable You, … then there is the second, special tier of songs not on “the list” but that earn a singer points with the band members for knowing them… Lush Life, I Cover the Waterfront, Cottage for Sale.
The song on the media player is a standard; however, this is the complete version with both full verses, so it straddles the two tiers above. This version makes more sense, because it deals with the weekend, THEN “when the weekend’s over.” I cut my teeth on these songs, and I hope you like this version, from my CD, “Jazz Baby Hits Her Stride,” available for download HERE.
BABY’S BEGINNING
And though she knew
the marriage was doomed
in her womb there was a seed

that grew steadily
until that glorious night
at the Chinese place
The Quickening
The moment a soul
enters the body and
like Elizabeth’s child,
baby leapt for joy
(so did her mom!)
Blessed with a gig in
Bermuda, piano bar
No star, but paid the bills
(and his too, as he
withdrew into his shell
back in Queens)
Every time mommy
played Duke Ellington
baby’s feet kept time
Fast songs or slow
Kicking perfect rhythm
My covert metronome
And when at last
she emerged from inside
her eyes so wide, so black,
I knew they would stay brown and
I knew we would be together
weathering any storm
Mothers who nurse know
the most beautiful sight
is the top of the baby’s eyelids
as they shut tight
working on their task
nuzzling at the breast
© 2012 Amy Barlow Liberatore/Sharp Little Pencil
Image by Mahalie, used by permission of Creative Commons
For Sunday Scribblings, “In The Beginning…” Also at my poetic playpen, Poets United!
Dreadlocks and the Three Rednecks
Shaniqua was only 13, but she took the A train uptown every Saturday to visit her grandmother, an invalid who depended on help from neighbors for everything from groceries to doctor visits. Her grandma loved these visits for the sheer joy of her granddaughter’s sense of humor and her growing knowledge of old jazz records. This was the day Shaniqua would be introduced to “Ma” Rainey on 78s.

Today, the A was hopping with Yankee fans, headed up to watch Steinbrenner’s investment pay off once again as they chugged warm beer and scattered the bleachers with peanut shells. Shaniqua noticed the predominantly white ridership, so she pulled up her hoodie and gazed obliquely out the greasy subway window. Three rednecks were harassing a gay guy when they turned their attention to someone they assumed would be more intimidated by them.
“Hey, little girl, you ain’t related to Rosa Parks, are ya?” drawled an out-of-towner, sitting pretty even though several older women were forced to stand, strap-hanging. His buddy caught on, got up from his seat (a senior widow slipped in fast as a New York minute, smiling smugly about getting off her tired feet). The second guy: “Why’re you wearin’ that hoodie? You a gangsta type? Member of a gang? We hear tell there’s all sorts of you people on these trains, stealing wallets and such.”
Finally, Number Three, cracking his knuckles, bellowed, “ARE YOU DEAF, LITTLE GIRL?” They surrounded her now. Sweat on her brow, dripping into her basket of homemade muffins. (C’mon, Mr. Ellington, make the A Train go faster.)
They ripped down the top of her hoodie to reveal her spectacular dreadlocks, woven by her mother since age five. “Looky here, boys, we got us a real Jamaican girl. Say, why don’t you teach us to dance? Do you know any Bob Marley?”
Her stop was coming. “Well, I can’t dance with you,” she said to the first cracker, “because I don’t like guys in flannel shirts. And you,” she pointed to Number Two, “are racist and just plain mean. I don’t think you like yourself much.” By this time, the grannies had all surrounded the group, ready to take action with purses and canes if the men got too close to Shaniqua. She was somebody’s granddaughter, after all.
“And you,” she said to Knuckle Cracker as the train pulled into her stop at 171 and Fort Washington. “You are so pathetic you’re wearing a Mets cap to Yankee Stadium, you have a mullet, and your pants are hanging so low my pastor would kick you out of the church. You’re a wannabe with bad underwear and a butt-crack.”
As they stood slack-mouthed, she hopped off the train. “And you don’t pay attention, because you missed your stop. Go back to 161st Street and catch the B over east.” Then the grandmas smiled knowingly at each other. It was going to be a long trip to the stadium for the non-residents of Harlem.
© 2012 Amy Barlow Liberatore/Sharp Little Pencil
For Trifecta: Unlimited words, rewrite “Goldilocks and the Three Bears.”
Photo courtesy of www.littleafrica.com.




