Cronifiscence (For Rose)
Used to be, we rough and ready, time-tested but never bested
full-breasted, not-begging-your-behested ladies
were frowned upon, looked down upon as
past our prime
‘More to be pitied than sensualed’
But now we gather in pools of lactic estrogen
to reminisce about dime phone booths
penny candy and two-bit boyfriends
our first quarter centuries marked by
debauchery, doubtless laughter
the ember of roach-clip glowworm
impromptu meetings on the streets
so far below downtown, we were crowned by
halos of cannabis smoke rings
Might be on city subways with melted portraits in windows
crashhurtling then lurching to stinky stop stations
Or southern streetcars harvesting magnolia scent
sliding over tracks greased by funk and fancy
We hail from many lands, form a tribe that
transcends countries of origin, societal strata
We are crones in the best sense of
that beleaguered term – we defy restrictions
Protest “wrinkles as afflictions”
Deny quaint references to “women of a certain age”
We ARE Women of a Certain Age
Certain that we have been there
Certain that we burned our bras and will do so again
if our daughters and all fertile women are denied
choices and voices – we will make noises, so watch out, boyses
We are certain that the world is better with us in it
Our experience has honed us into
magnificent, beneficent, sensible, sexy creatures
We have earned our crowns
We don’t do boundaries or borders
We are found art
© 2014 Amy Barlow Liberatore/Sharp Little Pencil
Just in: Added to Poets United’s Poetry Pantry for Sunday!
Rose Preston is a jewel. She lives in New Orleans, born in South Africa. She’s the kind of woman who will save a lovely object d’art for years until she finds the person who needs it… in this case, a lovely card with shining giraffe for her girlfriend’s birthday. I, too, collect bits of this and that (often sending to my old buddy Sidnie), just waiting for the right time, the right hands into which I place that little treasure.
Rose lives. I mean, this woman is traveling home in two weeks, then she’s going on SAFARI! Holy schmoley, that’s living. She was once charged by a baby elephant and, defying odds, snapped “my National Geographic photo,” only to later accidentally delete it… when she was high. I mean, really, kids, this is my kind of girlfriend. God willing, neither of us (nor any of the other fantastic women I spent time with in New Orleans!) will ever grow up, never stop ranting and raving and reveling in our lives.
Now if only I could download the damned pix off my “smart” phone, I’d include her picture. Later, I shall have to edit her image in. Peace, Amy
Swing, Sway, Pay the musicians!
(New Orleans)
TOURIST SAYS:
“We flew down here to New OrLEENZ
Oh, that Berbin Street’s a racy scene
White people, black people
Al Hirt’s closed but I got
a real hurricane glass at Pete Fountain’s
And the music! There was a white singer
who did that gravelly voice on
‘What a Wonderful World,’
so authentic, he sounded just like
Lance Armstrong!”
LOCALS SAY:
…‘cept she wouldn’t know real jazz
if it sashayed up
slithered along her inseam
and chomped down on her skinny butt
Buuuut… we love them, the tourists
in their Mardi Gras beads
They stay on Bourbon so’s not to
imperil themselves, and
sure as God’s name is on a dollar bill,
the Lord rains that green on our
Katrina-ravaged, race/grace savaged,
road-buckled, pothole-pimpled hometown
Tourists nurture the city, rain the green
on the parched heads of bartenders and servers,
taxi drivers, musicians – from our bevy of
audacious, bodacious singers to brass ensembles and
buskers to second-line bands – plus mule carriage men and
bicycle carters, all manner of trade here in N’Orleans
Hell, they take that bread and spread it all over town
Tourists don’t know the real goins-on
‘less they got good friends hostin, boastin on
their chicory-roasted tasty toasty town
The dark side streets pulsing late-night R&B,
roots jazz, Kid Ory’s ghost, all those
greasy good sounds after the Bourbon Street gigs
are done, the paddleboat is docked, long after people
who clap on the one and the three (bless ‘em) have retired to
their hotels…after the Top Five Louis Tunes go to bed
That’s when the hunger is sated, when gates open to
a positive, righteous flood no Army Corps of Engineers
could ever fuck up, this outpouring of soul
dredged in Creole hot sauce nasty goodness
It’s what they’ve been dyin to say, dyin to play all day
all the way down from The Land of the Green, source of
the rent and new shoes and toys for Christmas
Payin gigs ain’t even foreplay
The cab ride down steams every hungry body up
Jump out the door, slide into sensual surreal
so-real recesses of excessive compression
to achieve the blissful explosion
swaying sweaty bodies
contorted faces
building building to
The excruciating mindbending orgasm of
hot humid homegrown harmony
And to that I say, Laissez les bons temps rouler
“Let the good times roll!”
© 2014 Amy Barlow Liberatore/Sharp Little Pencil
Yes, New Orleans was a treat. I will be recounting these stories for the next few posts. Thanks to Rickie Lee for inviting me down… to Lex for telling me I had to go… to Rose and Suzanne for their sweetness… to Alfred for being Alfred and trading the piano bench with me… to Amanda for hosting my Second Phase… to Brother Robert, and you best call him, I’ll give you his number later, if you need a cab… and to the wonderful assembly of artists, musicians, and just plain folk who made up our Second Line parade in celebration of Rickie’s birthday.
We will have words about Brother Robert, a smidge of the gorgeous art of Suzanne La Fleur, musings on my new friends and old ones as well. And yes, there will be clips once I get my Smart Phone hooked up to my hard drive. I am in love with NOLA, but my somke-sensitive lungs are glad to be back in Wisconsin!!
For ABC Wednesday, the letter was S. Sweet sweaty salty swimmin in satisfaction. Yeah. Peace, Amy
Whose Side Are They on Now?
When things go right…
when her friend’s surgery is successful;
when his kid scores a goal;
when the baby is born with ten and ten
and Mom’s epidural was spot-on;
when a football player executes a game-saving touchdown,
when an old guy, down to his last buck at the bar,
hits the TV gambling jackpot,
it’s “Praise Jesus!”
They crow, “Thank God!”
When war rips a relentless dagger with
no healing in store,
and “smart bombs” hit the
“actionable intelligence” targets
(and only kill a few kids and other civilians),
when a dictator who was funded by the US but
falls out of favor ends up on the wrong side of a noose,
it’s, “God is on our side!”
When Katrina hit New Orleans,
when earthquakes hit Los Angeles,
Bible Belters shouted, “It’s because of all the sin
that is tolerated there! It was God’s will!”
(Sure, there’s that racist tinge to the condemnation…
never mind that the majority of Katrina victims
were people of color who worked hard to maintain
their neighborhoods, while the vast majority of “sinners”
are white college girls who get stinking drunk and
flash their boobs to get Mardi Gras beads…)
“Praise Jesus, who looks after the righteous,”
says the preacher, passing the collection plate.
(It’s all in the timing.)
But when a neighbor is laid off or gets
screwed out of a pension,
when someone on your block develops cancer and
it’s already Stage Four,
or it’s your kid who’s hit by a drunk driver
or knocked up by her own uncle…
Whose side is God on now?
Does Jesus hate your neighbor? Is that why he’s
slumping his shoulders in the unemployment line?
Does God think it was the 13-year-old girl’s fault
for “tempting” her pedophile uncle?
Do God and Jesus sit on high and zap people
with cancer when they are bored?
Think about these things
the next time you presume
to speak for God.
And feel free to give a copy of this to your pastor.
© 2011 Amy Barlow Liberatore/Sharp Little Pencil
Sharp Little Pencil 