Amy Barlow Liberatore… stories of lost years, wild times, mental variety, faith, and lots of jazz

Tag Archives: Jazz

Billie Holiday

Her story, stuff of legend
Hard to believe a girl
who scrubbed the whorehouse steps
was a child of destiny

Louis and Bessie’s songs, a balm
wafting through the brothel windows
(masking commercial commotion upstairs)
That jazz summoned magic buried in her very marrow

At seventeen, at dusk, she entered a club
The audience, the first witnesses
to a staggering talent, unbroken by
the sorrows of her childhood

Finding her soulmate in sax man Lester Young
Coursing through their veins and blended history,
their addictions: Jazz and heroin
First gave life; second led to early death

Too young, a deathbed. Money taped to her thigh?
A filthy lie, as befits urban legend
The collective force of Lady Day and Pres?
The real deal – raw truth pressed on vinyl

© 2012 Amy Barlow Liberatore/Sharp Little Pencil

For The Sunday Whirl: Destiny, Dusk, Mate, Marrow, Staggering, Buried, Songs, Blood, Addiction, Story, Sorrows, Broken. These words began singing choruses of “Lover Man” to me before I knew what I was going to do with them.  Also posted at the Poets United Poetry Pantry.

Image courtesy of www.jacklawrencesongwriter.com, in his photo files. Thanks, Jack!

Although the rumor of money taped to her thigh was false, police did arrest her on her deathbed for possession. Lester “Pres” Young, who nicknamed Billie “Lady Day,” was in fact nicknamed by Billie as the President of Sax Players. Wish I could have included the video on YouTube of her TV session in her later years on “Fine and Mellow,” but the cut was too long. Look it up; you’ll spot Gerry Mulligan, Coleman Hawkins, Pres on the second sax solo, Mal Waldron on piano, and more.  When Pres Young died of self-abuse (alcohol and heroin), Billie was not allowed by Young’s wife to sing at the funeral.  Billie said bitterly, “I’ll be next,” and she was, four months later.


CHANTEUSE DELUXE (have a listen, then read the poem)

What drives her to carry on so?
No limit to grandiose gestures:
Hand thrust heavenward as she
sings of graces she cannot touch
(yet seems to know well).

Delivery of gut-bucket blues,
growled, a feral cat in heat.
Singing is her salvation;
her masquerade; her comfort;
her inherent, inherited blessing
(born of a curse).

Tapping into sources of drama
most would never dare; airing
her truth with power, to power
(and always with a whimsical smile).

Striding through dark, abandoned
psychic hallways and caverns
where others might tiptoe
(their flashlights, shivering beams).

Her early demons gifted her,
then she was lifted from hell
by an undercurrent of free-flowing jazz.
She follows in footsteps of her people
(unhinged but brutally honest souls).

She is compelled to prize a pearl
(from the slimiest of shells).

© 2012 Amy Barlow Liberatore/Sharp Little Pencil
PROCESS NOTES: A barlette is my own creation; this one has a longer form. Normally, the barlette runs three lines plus (a commentary line). This long forms allows more flexibility before the comment line.
PERFORMERS: Carol Ackley is a longtime and very dear girlfriend who was coaxed to the mike for an impromptu duet; we had not sung together in years. “Since I Fell For You” is one of my favorite standards. Sax solo is by the great reed man/percussionist/composer/musical powerhouse Rob Weinberger, who is also my former husband and father of our little Drummer Girl and artist, Riley Dunn.
PROMPTS: For Sunday Scribblings #311 (honest) and The Sunday Whirl: Carry, Singing, Follows, Drives, Hallways, Drama, Limit, Gestures, Hand, Delivery, Inherent, Sources, Previous, Drives.


Two diverse poems; one brief, one a story that happened long ago. The first is for a prompt for Six Word Saturday, a challenge to my tendency to writeeverycompletemomentexactlyasithappenedinfullmissingnodetails. The second, for Poets United’s Poetry Pantry, a sweet memory of a sweet friend and me, a moment in time I will never forget. Peace, Amy

——————————-
The End

Only get one death: Die trying.

© 2012 Amy Barlow Liberatore/Sharp Little Pencil
Adapted from earlier poem in “Dance Groove Funhouse” for Six Word Saturday

———————————-

Carnegie Hall, 1979

Star and her Satellite
emerge from a cab and
slip through the back door
of the hallowed hall

Tiptoeing past the massive set
being rolled into place by
Popeye-armed stagehands
who sweat for their wages

A page to be turned, this.
Billie bluesed here…
Her voice lingers,
embedded in the polished railings

Judy summoned songs
from the soles of ruby slippers
Her brilliance is burnished
into every column and niche

Now, no longer Star and Satellite,
for this brief moment, we are
simply giddy young singers
eager to trod the boards

Holding hands, the thrill
a vibrating current
running between us,
we pull back the curtain and

step onto the stage of
Carnegie’s great legacy,
the robber baron who bequeathed
this jewel to the masses

Looking up, a million stars
as lights twinkle dimly,
rimming balcony
after tiered balcony

“It’s like…” I struggle for words
to describe this moment.
“It’s like standing inside
a giant wedding cake.”

She grins. She’s headlining,
and I’m only singing backup
Yet, at this sublime moment,
we’re simply two starstruck girls

basking in a pinspot of destiny fulfilled

© 2012 Amy Barlow Liberatore/Sharp Little Pencil
For dverse (yes, I really do talk this way) and Poets United.


Third Eye of the Sightless Woman

Deprived of what doctors call normal vision,
she still envisioned worlds beyond worlds;
seeing each person beneath their form or color,
she possessed the gift of sight in her ears.

She heard beauty, shame, promise of each person
and saw their auras while listening to their stories.
Behind the vague stare was a screen of inner vision,
and here ran a constant stream of color and shape,
as all things passed her acute field of hearing.

Dogs barking in sharp blacks and whites.
Birds whirling in dissipating pinks and ochres.
Breezes green with promise of pale cyan rain.

But music – ah! music held the entire palette.
Symphonic orchestras, brilliant watercolor fields.
Strings pulling rakes to mingle azures and apricots,
brass spotting canvas with dots and long sturdy lines
of coral and dust, the silverfoil tingle of cymbals.

Jazz was denser; oils, perhaps, a thicker base.
Saxes hacking crimson into piano’s sepia lines.
drums ticking tapping low, inking ebony onto the canvas.
The singer could be violet, Ivy Anderson; sapphire,
Ethel Waters; or Julie London’s burgundy midnight.
And Billie: Dry-brushed for texture, always blue.

© 2011 Amy Barlow Liberatore/Sharp Little Pencil
dverse poetry asked for poems about opening one’s third eye. My best vision has always been heard (synesthesia adds to this; because of my condition, I often hear sight patterns). And so I gifted my subject with a different kind of sight. This is also posted at my poetic heart, Poets United. Peace, Amy


ABC Wednesday is on (puff, puff) the letter “Y,” and even though I wrote this song a while back, thought it would be a nice addition. This one has never been recorded, or I’d give you a link, sorry!

Also posted at the poets’ collective, Poets United. Give that link a try and scan down the right sidebar for some incredible poets. And now (drumroll, please, Riley)…

I’d Say Yes (bossa nova)

We share a noontime table
There’s curry and coffee and a lump in my throat
I tell him all I’m able
But stop short at the popular vote:
‘Cause my girlfriends say, “Just tell him”
But caution tells me, “Don’t”
Now I’m nervous that the truth will come out
And twice as scared it won’t

He treats me like a sister
We have a long history of talking things out
He says he couldn’t resist her
But now that she’s left him, she’s left him in doubt
Now my instinct is to comfort
And my arms say, “Cradle him”
But I’d hate to blow a friendship
on an odd, romantic whim

He asked me once, can’t remember when
But if I had to do it over again, I’d say yes
Yes, it’s true
Yes, I am
Yes, I will
Yes, I do

It’s funny, how a friendship
can turn into love if you lower your guard
But if the love’s a secret
it’s such an unnatural state of the heart
‘Cause half of me’s talking logic
While the other’s lost her sense
And I’d hate to miss the fireworks
Straddling the fence

I said “no” once, can’t remember when
But if I had to do it over again, I’d say yes
Yes, it’s true
Yes, I am
Yes, I will
Yes, I do

He asked me once, long ago
But if he asks me in a hour or so, I’ll say yes
Yes, it’s true
Yes, I am
Yes, I will
Yes, I do

© 2011 Amy Barlow Liberatore/Sharp Little Pencil


And now for something completely different, song lyrics. You can hear the song at my music link below (sorry, can’t upload it here.)
Hope you like it! Amy

Tioga Moon (free listen at amybarlowliberatore.com – my music site)

Tioga moon starts her song around eight
High above the maple, the color of marmalade
Spills on the rooftops and dances on the dewdrops
And drenches all the sumac in the glade…

Tioga moon, shining clear and bright
Tioga moon, shining on you tonight
When Cape Cod gets colder
and chills your shoulder,
that old Tioga moon will keep you in her sight

Oh, say…
when the gardenin’s done today
let’s escape the sun, and
run off to a place I know
where there’s shade
a little glade where the jack-in-the-pulpit grows

And then…
we’ll linger on ‘til after ten(derly you’ll call my name)
And then we’ll start to whisperin’ low
While the owls’ eyes and the fireflies
put on their show

Tioga moon, like a big brass bowl
Tioga moon shines like a prophet’s soul
When Buffalo winds blow
snow through your window
that old Tioga moon will make your insides glow
(repeat last chorus)

So stay well, sleep warm;
when the cold starts to bite,
that old Tioga moon will be your blanket tonight.

(Words and Music © 2009 Amy Barlow Liberatore)


Powerful Urge (For ABC Wednesday and Poets United)

Never one to linger backstage,
craving instead gelled red-hot spotlights overhead.

Sustaining me through sickness, divorce, and
freewheeling, full-tilt mania

Yet there lingers within that nauseating self-doubt:
Will I ever be good enough?

The first time house lights went up,
a chill raised the hairs on my neck,

and I gave out with
the best version of “Skylark” I ever sang.

So maybe the self-doubt is actually
my own spirit stirring me up to help me through.

I am the siren who makes sailors crash into rocks (or fall off barstools)
and I love that power.

© 2011 Amy Barlow Liberatore/Sharp Little Pencil


Ignore the racist stereotypes and see true athleticism, artistry and energy. The incomparable Whitey’s Lindy Hoppers, and the poem follows. Watch the video first; I dare you not to be amazed. Band is Slim Galliard and Slam Stewart; Slam spent his last years in my hometown, Binghamton, NY. A gentle, sweet man who never lost his soulful voice and way with a bass.

Lindy Hoppers

Back when jazz was hot
When the drums meant dancin
jitterbuggin, Lindy Hoppin
shimmyin, shakin your sugar…

Lil, Grace, and Fancy
flounced and flirted in the finer clubs
Gracie, she was fine on the dance floor
Lil had more meat on her bones,
made lifting for the Lindy doubtful
Still, she clapped and hooted off on the side
beer in one hand, the other tucked in Slim’s front pocket

Now, Fancy was a flimsy-thin frail
made for stompin at the Savoy
When the band commenced to wailin
she’d be flyin over Jimmy’s head,
flung between his legs and back up again
She shined like a new penny,
bronze and easy rollin

Her real name was Flo
but once they saw her dance
hellzapoppin on that floor
they renamed her Fancy

© 2011 Amy Barlow Liberatore/Sharp Little Pencil

For Three Word Wednesday: Thin, Jitter, Grace, blog


Something I’ve been wanting to say for a long time… ever since I saw a Confederate flag flying at the same height as an American flag in a redneck’s front yard – in upstate New York. Amy

Black History… Month?

Here’s the mystery:
Why only one month for Black history?
Relegated to February, one month
to cover an entire race that rose from
being imprisoned on slave ships, dragged ashore in shackles
to making indelible marks on all of American society

Who suffered their families broken first by
slave owners and later by well-intentioned
but fatally flawed Welfare, driving dads away

Whose call and response field songs, codes for escape
shaped a new tradition of gospel in churches
Who created jazz in all its magnificent manifestations
Who literally built the White House (ironically named)
Who built the South and suffered under the Confederate flag
Whose voices and actions loom large in the tapestry of our nation

Voices.
The witness of Sojourner Truth (“Ain’t I a woman?”)
The poetry of Gwendolyn Brooks, Langston Hughes, Rita Dove, Maya Angelou
The voices of Billie, Bessie, Ma Rainey, Leontyne Price, Marian Anderson
The brass of Louis, the class of Duke
The shy brilliance of Strayhorn, the in-your-face of Miles
The Harlem Renaissance, producing unfathomable beauty and power

Athleticism.
The perseverance of the Negro Leagues
The courage of Jackie Robinson, the sleekness of Jesse Owens
The contemporary finesse of Venus, Serena, Tai Babilonia, and yes, Tiger

Courage under fire.
The energy of Crispus Attucks, fighting British troops
The Buffalo Soldiers, the Tuskegee Airmen
There was never a war fought by America
that didn’t include Black troops

Philosophy and social justice.
The words of Frederick O. Douglass
The wisdom of Martin Luther King, Jr.
The burden shouldered by Coretta after his burial
The grassroots activism of Rosa Parks (no, she didn’t just decide
she was tired – it was a planned act of nonviolent protest)
The battered, brutalized child Emmett Till whose death
shone a light on lynchings all over the South
Listen, can you hear it? “Southern trees bear a strange fruit…”

Our ancestors, for we all came from that continent, regardless of
how far our tribes were scattered around the globe
reduced to one month, when Sylvia’s Beans go on sale at the market
and kids hear about George Washington Carver and peanut butter
and a few lines about Rosa, Martin, and how “Lincoln freed the slaves”
A little blurb about Bill Cosby on TV, Louis Armstrong singing “Hello, Dolly”
And that’s that

Black history is OUR history.
From slavery to freed citizens
From abolitionists to suffragettes
The struggle, oppression
and one triumphant moment on an election day
(Indonesian, my ass)
The music, the invention, the philosophy, the art, the daring

One month? Really?

© 2010 Amy Barlow Liberatore/Sharp Little Pencil


Dallying on Writer’s Island is a pursuit every poet should indulge in. This week’s theme, “Improvise.” Yeah, like I’ve never done that! Amy

Fill In The Blank (Writer’s Island, “Improvise”)

So I arrive at my gig, hauling my rig all by myself.
I snag my stocking on a stack of speakers,
speaking in a pitch only a poodle could discern, “!!#*$!!”

Into the Ladies’ cause I don’t wanna start late,
I rummage through the rucksack that
passes for my purse.

On my thigh, one big hole in my black tights…
a dollop of whipped cream on an otherwise
dark-chocolate-frosted plane.

Dredging up a Sharpie, I fill in the blank, then
sketch in the run, the pen climbing
up and down a ladder.

I’ll deal with scrubbing it off tomorrow;
for now, it’s beg, borrow, or steal my way to the mic
with as much dignity as stinky ink can afford me.

© 2011 Amy Barlow Liberatore/Sharp Little Pencil